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This is a story I wrote for a story contest Tim
Rogers was having. I didn't win. I don't think anyone did.

Theres a secret café hidden deep in the business
district of Tokyo. Im not even sure if anyone other than
me knows it exists. The story of how I had found it is still a
strange story for me to recount, but Ill try my best.
One day I noticed a
young girl dressed in a pale white dress standing in an alleyway
between two mighty skyscrapers. The entrance was blocked off by
several misshapen planks of wood, and the further you progressed
down the alley it the darker it got. This didnt seem like
an appropriate place for a little girl to be playing, so I called
out to her in the politest Japanese I could muster Hey,
you probably shouldnt be in there. She turned to me
and smiled.
I found something,
she said. My thoughts immediately turned dark as I began to wonder
about what kind of thing you would find in a dark alleyway. Against
my better judgment I decided to see what she had found. It struggled
to push aside the heavy wooden boards blocking my path, wishing
I were a child as well so I could slip under them like I assumed
she had. I managed to squeeze through without incident, and went
to see what the girl had found. I was expecting to find a dead
body or something, but fortunately spotted no copses.
What is it?
I asked her, not spotting anything amiss.
Look, she
said pointing at what I thought was just the wall. But then I
looked a little harder and saw what she had found. There was an
indentation in the shape of a large rectangle. I touched the wall
and found it to be cold to the touch. It was metal. As I looked
more closely at the indentations I realized I was looking at a
set of double doors, doors that seemed to have been unused for
a long time. Yet I saw no knobs or handles. Then I noticed a small
panel next to the doors with a single white button.
An elevator.
Well, this is
certainly strange, I remarked, looking down at the girl.
She looked back at me and giggled slightly.
Press it,
she said with a sudden enthusiasm, pointing at the button. Her
suggestion only drove my initial curiosity further, and I pressed
it. It lit up with a soft white glow, contrasting strongly with
the dark alleyway. After a few seconds of waiting, I heard a familiar
ding and the doors slid open, revealing a set of pale green walls.
The elevator looked untouched by time, as if had never been used
before. The walls were spotless; the metal frame was polished
to a perfect shine. It was almost eerily perfect in every way.
I dont
know about this, I said aloud, looking down for the girl
only to notice she was gone. I quickly looked down the alley to
try and spot her only to see a familiar figure in white running
off into the darkness laughing. Wait! I yelled out
to her, but she had already disappeared, the darkness seeming
to have swallowed her. Suddenly, I was a bit unnerved to be alone
in a dark alley like I was. The irrational fear of the dark I
had carried with me since I was a child with was beginning to
take control of my mind. Then I heard growling coming from out
of that darkness. With my head spinning paranoid thoughts of some
monster coming bursting out of the dark abyss and crushing my
head, I panicked and ran inside the elevator.
I immediately felt
safer in the small, well lit environment. I looked over at the
wall panel, yet I was a bit surprised at my lack of options. Though
the panel had room for plenty of buttons, there was only one.
Next to it was a tiny embossed label with a number that felt familiar
to me.
108.
At that point I had
begun to consider my options. I could run out of here screaming,
tear down the alley and hope some demon didnt catch up to
me as I was maneuvering those boards out of my way again, or I
could press this lonely button and see where the elevator took
me. Looking out of my little safe room into the darkness outside
I decided to stick with the latter choice. I might end up in some
board room or janitors closet, but I was sure if I apologized
profusely for my actions I could probably get out of the building
without the police being called. With a deep breath, I pressed
the button, and watched as the doors slid closed.
About a few seconds
after I began my ascent the idea of riding an elevator that had
probably been without maintenance for several years struck me
as a bit unsafe. It was a long ride to the top, and every time
I heard a creak I prayed for the cable not to snap. I began to
wonder about what I would do if the elevator got trapped between
floors. I entertained the thought of opening the maintenance hatch
and climbing the cable to safety, but I knew I was no action hero.
I would most likely die of dehydration. Then several years later
a maintenance crew would pry open the doors and find an old withered
skeleton clutching a Gameboy. One of them would steal the money
out of my wallet, find my ID, and some government official break
the news to my parents that their stupid gaijin son had died in
an old abandoned elevator he had no business being in. I starting
praying harder.
Luckily I arrived at
the elevator stop without incident. The doors slid back open and
sunlight streamed in. I stepped out of the elevator and put my
hand over my eyes to shield them from the sun. I was suddenly
faced with an open blue sky, a few wispy clouds scattered about
and some birds flying overhead. I was on the roof.
I started scanning
the rooftop looking for a way back down. I didnt see a stairway
or ladder anywhere; it seemed the only way to the roof was the
elevator. I sighed, realizing Id soon be taking that death
elevator back down to the alleyway of more death. I knew it was
stupid to be afraid, but some primal terror still held me in its
grasp. I then spotted what seemed to be a maintenance shed. I
felt a little bit more hopeful. Maybe I could find a friendly
maintenance worker who knew another way off the roof.
As I reached the old
grey shed, I noticed a tiny scrap of paper on the red door. It
read simply Café M. This was the only clue
that something special lay behind those doors. I was bit puzzled
at first, but I forgot about all that and turned the knob while
pushing through the doorway.
"Irasshaimase
konnichiwa!"
I jumped, startled.
I turned to the source of the friendly greeting and found a young
Japanese women dressed in a yellow waitresses uniform. Her hair
was long, and dark like her eyes, and she had a bit of makeup
on that accentuated her features.
Um
konichiwa,
I responded politely, still a bit taken aback. I surveyed my surroundings
and realized I was in a café. The walls were all painted
yellow, and there was a tiny table over in the corner. Though
the place couldnt have been bigger than my bathroom, it
still seemed quite comfortable. The waitress gestured for me to
sit down and I did. I almost thought to ask her about why there
was a tiny little café hidden on the roof of an office
building that you could only reach by taking an elevator hidden
in a dark alleyway, but by the time I figured out how to put all
that into a coherent sentence she had already put a menu down
in front of me.
Coffee
450 Yen
Toast - 350 Yen.
Admittedly the menu
wasnt much, but I doubted they could do much else with little
more than a coffee pot, toaster and mini fridge.
Ill have
toast and some coffee, I told her. She smiled and returned
to her little counter to complete my order. I still wasnt
sure what to think about the situation, so I turned back to my
thoughts of that dark alley. Surely what I had heard was a dog
or something. For all I knew I hadnt heard a thing, maybe
my mind was just playing tricks on me. Still, I wanted to stay
in this café for a while, I wasnt ready to go back
to that alleyway just yet.
After a few minutes
of taking in the décor of this tiny establishment, and
entertaining the thought of forcing small talk with the waitress,
my order was brought over to my table and placed in front of me.
My first thought was she put way too much butter on my toast
but then I noticed something else. I looked down at the teapot
and saw what I originally thought to be a regular coaster under
it. But then I looked a little harder and realized it was in actuality
a disc of some sort. Puzzled, I moved the teapot, picked up the
disc and softly read the label aloud.
The Document
of Metal Gear Solid 2.
Excuse me, but
what is this? I asked turning around. I stopped suddenly.
Standing above me was a man I immediately recognized from numerous
magazine clippings and gaming websites. A man I had admired for
many years. A man who was only adding to the confusion and absurdity
of the situation. But yet, here he was.
Kojima.
I deeply apologize
that theres no pitcher for the cream. We were all out so
I had to run over to the store to get a fresh carton. Please pardon
this inconvenience, he said to me. He waited for my response.
I was a bit shaken. In front of me stood Hideo Kojima, the producer
and main force behind Metal Gear Solid, and Zone of the Enders,
and <b>Policenauts</b>. The vice president of Konami
himself, here in this tiny little café hidden on the roof
of an office building thatwell, you get the picture.
Er
its
quite alright
I was just wondering about this, I said
holding up the disc. I knew my question about the disc had sense
been replaced with about a thousand other questions, but it was
the first one that popped into my head.
He let out a single
Ha. Dont worry about that, just go home
and watch it some time, I think you might enjoy it. I wasnt
sure if Hideo Kojima understood that I was a bit unnerved to be
in his presence. He mustve seen the look of complete shock
on my face, but it seemed he chose to ignore it.
Thanks
I responded, feeling completely nervous in front of a man whos
work I admired so much. Kojima smiled, satisfied with our conversation.
Now then, If
youll excuse me, I have an urgent mission to undertake.
It seems a group of terrorists have seized a Japanese military
installation outside of Korea. Ive been called in to neutralize
the threat.
Youre joking
right? I asked, grinning at what seemed like a clever reference
to his previous works. If he had been trying to break the mood
it had worked, but it seemed I was wrong. Kojima suddenly looked
at me with an intense seriousness.
If I fail this
mission, it could mean the start of World War III he said,
not with anger, just with determination. I suddenly got the impression
he wasnt joking. He could tell I wanted to know more, and
without any provocation he pulled out two shiny metal guns. Revolvers
to be exact, each polished to a fine perfection, flawless in every
way. A certain silver haired antagonist came to mind as he held
them in front of me for a closer inspection. The way they reflected
my face was almost beautiful. These are my only comrades,
he said, sounding almost like a line out of a cheesy Western.
But the way he said it, it meant so much more. These simple revolvers
were hardly suitable for the type of task he seemed to be preparing
himself for. But suddenly, he stopped looking so serious and grinned.
But theyre all I need he said smiling. For a second,
I thought maybe he was crazy, but looking at his confident grin,
I somehow got the feeling he could pull it off.
Is that all youre
bringing with you? I asked, trying to bring attention to
the fact that a middle aged Japanese game developer armed with
a pair of revolvers didnt seem like a properly outfitted
mercenary. But Kojima just nodded knowingly at my question as
if he had known it was coming long before I had asked it. Like
a kindly old grandfather smiling at the question of a wide-eyed
child, he grinned warmly at me, pointed at his bandana, and spoke
some very familiar words.
Unlimited Ammo.
I was a bit surprised
at his demeanor in light of the task he faced, but when I saw
that smile of his my surprise turned into understanding. I didnt
need to ask him if he was afraid, I already knew this man had
just as many fears as any normal man. But courage is not being
without fear, courage is standing up to these fears and facing
them without hesitation. Just looking at him I knew he had no
thoughts of failure, and his confidence was inspiring. I thought
again about taking that old elevator back down to that dark alleyway,
and suddenly I felt no more dread. If a middle aged Japanese game
developer could stand in front of his fears with such courage,
such conviction, then a young American exchange student could
do the same, and maybe
Well maybe theres
hope for us all.
I turned back to my
coffee and didnt look back. I knew Kojima was already gone,
possibly forever. But I didnt have time to think about that,
I was a new man. I picked up my cup of coffee and looked deep
into the darkness within. Then, with no hesitation, I took a small
sip. And I smiled, knowing everything was going to be alright.
The coffee was a bit
bitter though.
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